My greatest testimonial

This is my favorite, most honest and unbiased testimonial that I have ever received.

“He makes very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very very silly pictures”

Joel, aged 3.

To see these very very very very …. very silly pictures, look through my portfolio here or  here read some more testimonials from clients and peers

Logo design: The process

This is the design process I use when working on a company/business/band logo.

  1. Design brief: Send questionnaire to client.
  2. Research & reference: Research the industry, its history, its competitors and logo designs that have been successful.
  3. Sketching & conceptualising: Develop the logo design concept(s).
  4. Reflection: Take breaks through the design process and let your ideas develop. Get feedback.
  5. Presentation: Present a selection of logos to the client or a whole collection.

Step one:

I Send out a few questions to start the design process off. This is standard questionnaire I send to clients…

  • Your company name – as it should be used on the logo design
  • Strap line to go with your logo – if required
  • Please provide a little information about what your company does
  • Key words that describe your company – eg. friendly, reliable
  • What do you like/dislike about your current logo (if you have one)? Please can I see it.
  • Who are your competitors/Other Charities in the same field please give links if possible?
  • “Look and feel” required such as contemporary/traditional/brash/minimal/corporate/fun/
  • Any definite ideas you have about the logo design + examples of logo design you like/dislike (links if possible)?
  • Who is your Target audience?
  • Colour preferences if any. Should the logo be single colour/two colour/full colour/no specific preference?
  • How/where will the logo be used?
  • Any other information you would like to add

Step two:

On receiving the questionnaire back I conduct some research based on the answers given. Namely on the company/band, their market, their competitors and peers, their target audience and the logos they have provided as inspiration.

Step three:

I start by brainstorming with a sketchbook, pencils and a drawing pen. Select a few strong ideas from the sketches and start to work them up to a standard I’m happy with then I draw the best few ideas in Adobe Illustrator and play with colours and tweak shapes about to get a strong memorable design to show the client.

Step four:

Take a break and relax, let the ideas develop and mature. Work any new angles into the design and wait for feedback from the client. Adjust anything desired by the client if it’s needed and effective.

Step five:

I present the logo and or logo variations to the client and party in celebration of a job well done.


Contact ASYLUMseventy7 for your logo design work now!

May 4th be with you

What self respecting Star Wars fan could let this day pass by without a small mention of the greatest story ever told :p

May the 4th Be With You All!

CD album artwork and design: The process

This is the design process I use when working with bands on their album artwork and design.

  1. Design brief: Send questionnaire/chat to the band.
  2. Research & reference: Research the genre, its history, the bands peers and artworks that have been mentioned by the band as influential, listen to the new album/rough cuts if they are available .
  3. Sketching & conceptualizing: Develop the cover design concept(s).
  4. Reflection: Take breaks through the design process and let the ideas develop. Get feedback from the band.
  5. Presentation: Hand over the cover design and rock out to the new CD when it arrives!

Step one:

Most projects start with a discussion with the band members about any ideas and concepts they have. Then I try to gather some keywords, influences and work they’ve already seen.

Conversations usually start and revolve around these planed standard questions:

  • Your Band name – should be dominating  the design and concept?
  • Album name – if required?
  • Please provide a little information about  your band
  • Key words that describe your band – eg. Metal, rock, indie, gore, fast, heavy, melodic etc
  • What do you like/dislike – bands, films, books, games?
  • Who are your peers in the same field please give links if possible?
  • “Look and feel” required such as horror/surreal/old/grungy/clean/mimimal/fun?
  • Any definite ideas you have about the design concept + examples of album artwork design you like/dislike (links if possible)?
  • Who is your Target audience?
  • Colour preferences if any. Should the album art be single colour/two colour/full colour/no specific preference?
  • Any other information you would like to add?

Step two:

Once we have had a chat and got the questions answered I relax, think it over and chill with some of the bands music where possible. I use this time to think up ideas/concepts and how and what I’ll need to create the design.

Then I begin collecting parts and bringing together photography, textures, found objects that may help from my extensive collection of stock imagery. (I nearly always have my camera with me on the off chance I see some interesting texture, object or element I may find useful on your/future projects.)

Step three:

I then play with ideas and rough sketch’s discovering what works and build up a couple of design ideas using key elements I think would be useful and communicate the overall concept.

After getting some more feedback from my collected ideas, I start the actual design. This part of the process can be fast or slow it really is the unpredictable part of the creation, happy accidents leading paths to new elements are always fun and can take a project to a new level of creativity.

Step four:

I take a few breaks through the creation process to let ideas develop. I get more feedback from the band and finish up the design.

Step five:

I then send off the cover design and rock out to the new CD when it arrives!

Job done!


Contact ASYLUMseventy7 with your creative album artwork needs now!

20,000 leagues of creativity

Just a quick post to show off a new artwork I completed today inspired by Jules Verne’s 20,000 Leagues Under the Sea, after noticing it was Verne’s 183rd birthday yesterday.

Happy birthday Jules :)

eVOLUTION Presents… artwork

A couple of years ago I did a series of posters for the gig promotion company “Evolution Presents…” most of these posters ended up on bedroom walls and kept in the venues, even on the walls of the local music college.

I thought I would take this chance to show off the artwork behind the band listings…

And the complete collection of photo manipulated creature evolutions are here …

See more of ASYLUMseventy7s music related artwork and design and dont forget to get in touch about your own music projects

10 steps to great gig posters & flyer design

Live gigs are pretty much essential in getting people to notice your band, and a key factor in how successful a gig will be is the promotion work you put in leading up to the event.

Posters and fliers, whether distributed offline (in the town, in pubs etc) or online (on your website, on Facebook invites etc), are a key promotional tool.

The idea is to create a flier that works: clear, informative and easy to read text, with interesting and eye-catching graphics.

Here are my top ten tips…

  1. Spend some time planning the wording. Make sure you highlight the selling points of the gig e.g. is there anything special about the lineup or venue?
  2. Think about the information fans and gig goers are seeking from your flyer e.g. venue address, start time, admittance.
  3. People love the word FREE, so if you’re not charging for the gig, make sure it’s very clear!
  4. Create some alternative posters/fliers/banners. Don’t stick with the same old design every time – mix it up and get attention.
  5. Design your flier to A6 (102mm x 152mm), postcard size fliers as these are easy & cheap to print. You can fit four A6 fliers on an A4.
  6. Don’t leave the design work until the last minute. Planning, creation, print and publicity is the order to work to.
  7. Avoid common design mistakes that make the flier too busy e.g. using to many different fonts, sizes or colours.
  8. Speeling mattrs. Keep proofing your work, then check it again. Once it’s printed, there’s no going back.
  9. Get a good, reliable printer. Your hard work will be wasted if it’s still sititng in the print queue come gig day.
  10. Get your work out there. It doesn’t matter how well designed it is if people don’t see it so hit the streets (and the net). Carry fliers with you to hand out to everyone you know and change your social media profile pics to reflect your latest promo.

Of course, if you’re not the designing type, it’s far easier to get a professional graphic designer to do the work for you leaving you free to shout about your gig and get the word out about your music. Get in touch with me about your project and get committed to creativity!

FREE! ASYLUMseventy7 wallpapers

Commit your computer’s desktop to creativity with one these six FREE ASYLUMseventy7 Wallpapers!

Downloadthe full set of Standard screen 1600X1200 Wallpapers

Download the full set of Wide screen 1920X1200 Wallpapers

Access to Creativity

For the few years I’ve been working with Access to music college I have created some interesting and creative artworks, logos, designs and graphics. here are just a few of my favorites…

  • All the Music logo and poster work

  • Name in lights

  • ATM Take over

  • End of year gig

  • Logos for various Access to Music bands
  • Splinter fist

  • The Ironi

  • The Rafters

  • Spill da Beats

  • ATOM logos

Access to Music puts music first. If you are serious about working in the music industry then sign up for our range of bespoke courses and apprenticeships. All are carefully designed by musicians for musicians to give you the skills you need. Also gain from our extensive range of industry opportunities from gigs to distribution.

Win tickets for Tim Minchin live!

ASYLUMseventy7 competition blog header

Tim Minchin is heading off on his first-ever arena tour in the UK this December and ASYLUMseventy7.co.uk has two tickets to send you to see him live on Saturday December 18th 2010 @ Nottingham Trent FM Arena!

Tim Minchin is an Australian, musician, actor, comedian and writer. He has been performing his unique brand of musical comedy in front of appropriately excitable and ever growing audiences since starting out in South Melbourne’s Butterfly Club in 2005. He won the Director’s Award at the Melbourne International Comedy Festival for his break-out show Darkside, and followed this later the same year with one of the most successful debut acts ever at the Edinburgh Fringe – winning the Perrier Award for Best Newcomer.

How to enter…

All you need to do to win this fantastic prize is post a photo of yourself on your Facebook profile with either:

  • ASYLUMseventy7.co.uk OR
  • the ASYLUMseventy7 logo

written/drawn somewhere on your body. Then tell me where it is, or share it on the ASYLUMseventy’s Facebook Fan page (nothing too racy, please – I’ll be deleting any entries that aren’t suitable).

Something like this…

The closing date for this amazing prize giveaway is Monday 13th December 2010 at 13:00.

I’ll then pick a winner (my decision is final) and post the tickets to arrive the next day.

Good luck and happy scrawling!

Mark

This competition is not endorsed by Tim Minchin – I just have two spare tickets, so I’m sharing them with you lucky, lucky people.